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  • Kristina Darling’s Review of “The Fractured World”

    Kristina Darling’s review of The Fractured World in The Pedestal in 2008 was, and still is, one of my favorite reviews of my work because, quite simply, I feel like she gets it, and she expresses what she gets quite thoroughly and clearly. I wish I could quote the entire review here. Instead, I’ll give you a snippet and a link to the full review.

    “Presenting riverbanks and coastlines alongside the end of time, Owens constructs a vision of the natural world that evokes death and rebirth, as well as a speaker who has learned to embrace these ideas. This piece forms a sharp contrast with earlier poems in the collection, which often present tragedy less hopefully. Revealing the poems in this book as a progression, Owens creates a multifaceted presentation of alienation in everyday life, narrated with elegance throughout.

    Ideal for readers who enjoy substantial subjects presented in novel ways, The Fractured World is an enjoyable, thought-provoking, and highly memorable collection.”

    And here is the link

  • Celisa Steele’s Review of For One Who Knows How to Own Land

    Among the reviews that I “rediscovered” in putting together the new website was this gem by Celisa Steele. It appeared last year in Pirene’s Fountain, and anyone who knows Celisa will not be surprised at the depth and insight of the review. It’s worth reading whether you’re interested in For One Who Knows How to Own Land or not for what it says about the craft of poetry and the role poetry plays in the world around it.

    The review has many paragraphs worth quoting, but this one may be my favorite:

    The light in “Leaning Through Darkness to See the Stars,” the quasi-eponymous poem of book’s first section, is more secular—the stars of the title are birds’ eyes. Along with the fine sounds (all the dark ds building up to alliteration near the end, the importance of dead emphasized by the rhyming already following so closely, the lamenting vowels in pocked and sloppy), the poem’s power derives from its refusal to name its subject: no mention of crow, not even of bird. The poem concludes with a kind of ambivalent sympathy for the crop-eating birds:

    Most seemed half-dead already, wings
    tattered and pocked full of holes,
    faces sloppy and scarred.
    Only their eyes seemed clear,
    black stones shining in death’s dull face. (29-33)

    Not naming the subject is another example of the reluctance to reduce that we see in “The Event Rightfully Remembered,” a suspicion that labels are just a reductive convenience.

    The entire review can be read here.

  • Review of Shadows Trail Them Home

    Sometimes I’m a bit slow. I just found this review of Shadows Trail Them Home, my recent collaboration with Pris Campbell that continues the saga of Norman and Sara from The Nature of Attraction over at Goodreads. Betty O’Hearn says, “The book hooks you. You cannot wait to turn to the next page. Deep, sensual, relevant and well crafted makes Shadows Trail Them Home a collection that will stir you in places where you may not want to go.”

    The entire review is at Goodreads

  • Two New Essays in Musings

    Two sort of new essays over on my blog. The first one, posted yesterday, is “How Poems Get Written,” an expanded and revised version of an essay published in Outlook about a year ago. The second, posted today, is “Poetry and the Art of Surprising Oneself.” This one was to be published by a journal, but the journal closed up shop before it appeared. I lost track of it for a while, so now I get to use it in my own blog. The blog is at scottowensmusings.com. I have about 150 subscribers over there, so even thought I’ve moved most of my stuff to this site, I don’t want to shut that one down. Instead I’m using it as a sort of archive for my non-fiction. I’ll post links here anytime I put something new up there. Check it out.

  • NC Poetry Society Fall Meeting

    The new issue of the e-Muse arrived today with news about readings, contests, and publication opportunities around the state. The highlight, though, is this announcement of the NC Poetry Society’s Fall Meeting.

    Annual Fall Meeting
    Saturday, September 21, 2013
    Weymouth Center for the Arts and Humanities, Southern Pines, NC

    Please mark your calendars! An exciting day filled with readings by award-winning poets, including a reading by Joseph Bathanti, current Poet Laureate of North Carolina.

    In the morning, we’ll first hear from the winners of the NCWN Randall Jarrell Poetry Competition, Joseph Mills, Ross White, and Katherine Soniat. Then, the winners of the Brockman-Campbell Book Award read: Kathryn Kirkpatrick and Katherine Soniat.

    In the afternoon, we get quite a treat: a poetry reading from the current Poet Laureate of our state: Joseph Bathanti is an award-winning poet and novelist with a robust commitment to social causes.Featuring a reading from current NC Poet Laureate Joseph Bathanti, Also, the winners of the Randall Jarrell and Brockman-Campbell Book Awards will read.

    To find out more about the program, visit http://www.ncpoetrysociety.org/events.

  • Poetry and the Internet Article

    Just posted a new column about poetry and the internet based on my part in a panel discussion at the NC Writers Conference this weekend. It’s over on my blog: http://scottowensmusings.blogspot.com/2013/07/poetry-and-internet.html. It should be in the Outlook next week. I’ll add the link to the essays page here as well.

  • Get Your Manuscript Ready

    (This article appeared in the Outlook newspaper and my online blog “Musings” a few weeks ago. I’m running it again here for anyone who didn’t see it before because the entry period for the inaugural Lena Shull Poetry Manuscript Award is barely more than a month away and because the next NCPS meeting comes up in September as well).

    NC POETRY IS ALIVE AND WELL

    Poetry is alive and well, and speaks to a multiplicity of voices out of an ever-changing culture. Thus concluded national Poet Laureates Howard Nemerov and Richard Wilbur and NC Poet Laureate Sam Ragan at the Duke University Poet Laureate Festival in 1989. Then, as now, one of the primary forces behind the vibrancy of poetry in NC, was the NC Poetry Society, co-sponsor of that festival and many similar landmark poetry events before and since.

    The NC Poetry Society was founded in 1932, having at that time only 6 members, one of whom was Zoe Kincaid Brockman, editor of The Gastonia Gazette. The next year, the following objectives were officially adopted by the society:

    to foster the writing of poetry; to bring together in meetings of mutual interest and fellowship the poets of North Carolina; to encourage the study, writing, and publication of poetry; and to develop a public taste for the reading and appreciation of poetry.

    For the past 81 years, the members of the society, having grown now to 370 in number, have strived to achieve those objectives by coordinating meetings, workshops, readings, contests, and publication opportunities for poets young and old, new and renowned, across the state.

    The Society’s 17 annual contests provide opportunities for poets from a wide range of backgrounds and interests to receive recognition for their work. All contests are judged anonymously by renowned poets and scholars to maintain objectivity. Current contests include the following:
    Lena Shull Award – new manuscript of poetry by a NC resident;
    Brockman-Kincaid Award – best published book of poetry by a NC resident from previous year;
    Poet Laureate Award – single poem by NC resident; judged by NC Poet Laureate;
    Thomas H. McDill Award – any subject, any form, 70 lines maximum;
    Caldwell W. Nixon, Jr. – poem written for children 2-12 years of age;
    Joanna Catherine Scott Award – any poem in a traditional form;
    Ruth Morris Moose Award – sestina;
    Mary Ruffin Poole American Heritage Award – poem on the theme of American heritage, brotherhood/sisterhood, or nature;
    Katherine Kennedy McIntyre Light Verse Award;
    Griffin-Farlow Haiku Award;
    Poetry of Courage Award;
    Poetry of Love Award;
    Travis Tuck Jordan Award – students grades 3-5;
    Joan Scott Award – poems about the environment from students grades 3-8;
    Mary Chilton Award – students grades 6-8;
    Sherry Pruitt Award – students grades 9-undergraduate;
    Farlow-Griffin Haiku Award – students grades 9-undergraduate.

    Most Society members consider the 6 annual events sponsored by the Society to be the highlights of its work. Meetings are held the third Saturdays of January, May, and September at the Weymouth Center for the Arts and Humanities in Southern Pines. The May meeting features presentation of awards and readings by winning poets from the Society’s annual contests. The September meeting is highlighted by recognition of the Brockman-Kincaid NC Poetry Book Award winner. The January meeting includes readings and workshops.

    Weymouth is also the setting for the annual Sam Ragan Poetry Festival in March, where participants wear bow ties in the tradition of Sam Ragan. This event typically includes live music as well as poetry.

    The other two annual events take place in the eastern and western parts of the state, both in April, and include readings, workshops, and roundtable discussions. Walking Into April is held annually at Barton College in Wilson, NC, and Poetry Day is held at Catawba Valley Community College in Hickory. Poetry Day is highlighted by recognition of the Lena Shull Award winner.

    Other regularly scheduled events sponsored by the NC Poetry Society include monthly readings at McIntyre’s Fine Books at Fearrington Village in Pittsboro, and the Gilbert-Chappell Distinguished Poet Series. Since 2003, the Gilbert-Chappell series has matched a successful North Carolina poet with as many as three student mentees and one adult in each of the three designated geographical regions in the state. The pairs work together for the year, and at its conclusion, give a public reading in each student’s home library.

    The Society’s regular publications include the annual awards anthology, Pinesong; its monthly online newsletter of opportunities and announcements, eMuse; and its print newsletter, Pine Whispers, published 3 times a year to keep members informed about issues under discussion, upcoming contests and workshops, and other poetry-related news and opportunities.

    Additionally, over the years, the Society has published 4 anthologies of NC poetry: A Time for Poetry (1966); Soundings in Poetry (1981); Here’s to the Land (1992); and Word and Witness: 100 Years of North Carolina Poetry (1999). Publication of Word and Witness was followed by a Touring Theatre of North Carolina production of over 50 of the poems combined with original songs, adapted by TTNC founding director Brenda Schleunes. Titled This Is the Place Where I Live, the production was performed 38 times in 26 cities.

    Anyone with an interest in writing, reading, or supporting poetry in NC should visit the Society’s website at www.ncpoetrysociety.org. Membership is only $25 per year and is undoubtedly the best way to both support and participate in our state’s rich poetic heritage.

    Guidelines for NC Poetry Society’s New Lena M. Shull Book Contest
    Lena Shull Book Award

    The Lena M. Shull Book Contest is an annual contest for a full length poetry manuscript written by a resident of North Carolina. The manuscript must not have been previously published, although individual poems within the collection may have been published elsewhere.

    The entry fee is $25. Entrants may submit more than one manuscript, with a fee of $25 for each. The submission period opens September 16, 2013 with a deadline for receipt of manuscripts of November 15, 2013.

    The winning manuscript will be published by a NC press, and the poet will receive $250, 50 copies of the book, and a reading at Poetry Day at Catawba Valley Community College in April 2014.

    When you submit, please include the following:

    Two copies of your manuscript (your name should NOT appear on any page of the manuscript).
    Two copies of a separate cover page which must include your: name, address, phone number, email address, manuscript title, number of pages of manuscript.

    Please send submissions to:

    Malaika Albrecht,
    2547 Doc Loftin Rd.
    Ayden, NC 28513

    The contest judge (non-NC resident) will be announced after the winner is chosen.

    For more information, please contact Malaika King Albrecht at [email protected]

  • 4 Poems & A Party

    My poem “Used” has been chosen for the August Poetry in Plain Sight program in Winston-Salem along with poems by Ross White, Joe Morris, and LeeAnn Patrick. The poems will be printed on posters and placed around Winston-Salem. Their website says they will be in sixteen shop windows throughout Winston-Salem’s Arts and Entertainment District, but they also have directions for how to get the posters displayed “in your office,” so perhaps they will be in more than 16 shop windows. Let me know if you see one of them.

    To kick off the month, they will hold 4 Poems & A Party at Barnhill’s Books at 1:00 on Aug 3. I’ll be there and will read “Used” and a couple of other poems as well. Hopefully the other poets for August will be there too, and I hope you’ll be able to join us. Here is a link to the Poetry in Plain Sight website: Poetry in Plain Sight

  • Philip Dacey Endorsement of “Eye of the Beholder”

    The poetry of Scott Owens traces the contours of loss and hope, possibility and renewal. A heartfelt quality or soulfulness, best defined as the determination to speak honestly and courageously of important personal matters, pervades this book and gives it emotional urgency page after page. Drawn to what he calls “a poetics of excess,” Owens nevertheless embodies Cocteau’s definition of tact–“knowing how far to go in going too far”–while striking a similar balance between long poems and haiku-like or koan-like short ones, which provide a kind of seasoning for the feast of the whole. Especially notable at the book’s center is a love poem Neruda would have been happy to write, the laser-intense “You in the Tomb of My Eyes,” a paean to the night that anchors the surrounding testimonies to a life lived passionately and thoughtfully. Owens knows poetry is a serious business; while various other poets these days might seem caught up in gamesmanship, this poet plays for keeps.
    –Philip Dacey, Editor of Strong Measures

    Eye of the Beholder is available for a discounted pre-order now on the Main Street Rag (click link). The book is scheduled for release in January 2014.

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  • Eye of the Beholder Available for Pre-Order

    My new book of poems, Eye of the Beholder, is now available for pre-order through Main Street Rag’s new online bookstore. Here is a link that will take you to their listing for the book where you can see the cover art (by Valerie MacEwan), read a few poems from the book and place your order at a $5 discount off the cover price: Eye of the Beholder.

    These are poems mostly about love. I wouldn’t call them all love poems, but they are about love in some fashion or another. The book is slated for release in January. Of course I have to sell enough pre-publication copies by then for MSR to move forward, and if I sell enough sooner, then it will get pushed up in the publication queue. So, help me out by ordering a copy now. I will be doing a number of readings starting in February and will be glad to sign previously bought copies then.

    Mostly, I hope you’ll take a look at the website, read the sample poems, and enjoy them enough that you want to read more.

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